Neela Editions

Neela Editions

Art for the wall you already have.

Kalvathi Street, 2025Anjali Varghese. Archival pigment print on cotton rag, in a white oak frame.

Your wall

Hang them before you buy

Set the width of your wall, choose a sofa or a sideboard, and hang prints from the tray. Each one is drawn at its real size, and they snap 8 cm apart, the spacing we use in the studio.

320 cm

Hang a print from the tray below.

On your wall
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Across
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Together
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The tray · tap Hang or drag a print onto the wallShown at one scale

Rooms

Four rooms of work

The catalogue hangs in four rooms, the way we hang the studio. Walk into one to see only its prints.

The catalogue

Twelve editions, at scale

Every print is shown at the same scale, so a 90 cm piece looks twice the width of a 45 cm one. Hover a print to see it in a room.

12
Monsoon Loop

No. 01Gesture

Monsoon Loop

Tara Menon · 2025

50 × 70 cm·Oak

Hahnemühle Photo Rag 308 gsm

Edition of 50

One long loop of green and cobalt pulled across the sheet in a single pass, the way rain arrives over the backwaters.

₹6,800
Pink Current

No. 02Gesture

Pink Current

Tara Menon · 2024

60 × 80 cm·Black

Hahnemühle Photo Rag 308 gsm

Edition of 50

A broad pink stroke against a scratchy blue, with a line of black where they meet. Big enough to anchor a sofa wall.

₹8,400
Turmeric Hand

No. 03Gesture

Turmeric Hand

Ishaan Rao · 2025

45 × 60 cm·Unframed

Hahnemühle Photo Rag 308 gsm

Edition of 100

Yellow, rust and a thin violet line, painted quickly and left alone. Sent rolled, ready for your own framer.

₹3,200
Harbour Kites

No. 04Colour Field

Harbour Kites

Anjali Varghese · 2023

90 × 60 cm·Oak

Hahnemühle Photo Rag 308 gsm

Edition of 25

Cut shapes of turquoise, red and saffron, like kites tangled over the Fort Kochi beach in August. Our largest print.

₹12,500
Fort Blocks

No. 05Colour Field

Fort Blocks

Anjali Varghese · 2024

65 × 50 cm·Black

Hahnemühle Photo Rag 308 gsm

Edition of 50

Red, cobalt and a square of ochre stacked like the painted walls of a Mattancherry lane.

₹7,200
Backwater Noon

No. 06Colour Field

Backwater Noon

Ishaan Rao · 2025

40 × 50 cm·Unframed

Hahnemühle Photo Rag 308 gsm

Edition of 100

Turquoise water, orange light and one black square of shade. A small, loud print for a narrow wall.

₹3,600
Three Rings

No. 07Line

Three Rings

Meher Iqbal · 2025

55 × 50 cm·Black

Hahnemühle Photo Rag 308 gsm

Edition of 50

Two green rings and a blue zigzag between them, with all the white of the paper left to breathe.

₹4,800
Blue Ferry

No. 08Line

Blue Ferry

Meher Iqbal · 2024

50 × 40 cm·Oak

Hahnemühle Photo Rag 308 gsm

Edition of 50

A blue shape crossing an orange one, drawn the morning the ferry to Vypin ran late.

₹5,200
Quiet Red

No. 09Line

Quiet Red

Ishaan Rao · 2024

30 × 40 cm·Black

Hahnemühle Photo Rag 308 gsm

Edition of 100

A grey line, a soft red and a lot of white. Small enough for a shelf, a desk or the space beside a door.

₹2,900
Salt Marble

No. 10Surface

Salt Marble

Rohan Pillai · 2023

60 × 90 cm·Oak

Hahnemühle Photo Rag 308 gsm

Edition of 25

White and warm grey pooled and folded like salt drying in the pans. It changes with the light all day.

₹9,800
Folded Light

No. 11Surface

Folded Light

Rohan Pillai · 2025

80 × 45 cm·Unframed

Hahnemühle Photo Rag 308 gsm

Edition of 50

Crumpled paper painted over in violet, teal and silver, then flattened and photographed. A long, low print.

₹5,400
Night Tide

No. 12Surface

Night Tide

Rohan Pillai · 2024

50 × 70 cm·Black

Hahnemühle Photo Rag 308 gsm

Edition of 50

Pale blue and pink waves out of a black ground, deep enough to look into. Best in a room with a lamp.

₹6,400
In the print room

From proof to frame

Every edition goes through the same four steps, by the same four pairs of hands.

  1. I.

    Proof

    The artist and the printer pull test strips until the colour on paper matches the original. Sometimes it takes a week.

  2. II.

    Print

    Archival pigment inks on Hahnemühle cotton rag, printed one sheet at a time and left to dry flat overnight.

  3. III.

    Sign

    Each sheet is checked under daylight, then signed and numbered in pencil by the artist.

  4. IV.

    Frame

    Framed prints are mounted on acid-free board in solid oak or black-stained ash, behind clear glass.

The easel by the north window, Bazaar Road
Care

How a print reaches you

From people who hung them

Visit the print room

See the paper in person

The print room is open on weekends, or any day by appointment. Write to us for a size we have not listed, a commission, or advice on your wall.

Email
preview@example.com
Instagram
New editions, first

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