No. 01Gesture
Monsoon Loop
Tara Menon · 2025
50 × 70 cm·Oak
Hahnemühle Photo Rag 308 gsm
Edition of 50
One long loop of green and cobalt pulled across the sheet in a single pass, the way rain arrives over the backwaters.
Neela Editions
Kalvathi Street, 2025Anjali Varghese. Archival pigment print on cotton rag, in a white oak frame.
Set the width of your wall, choose a sofa or a sideboard, and hang prints from the tray. Each one is drawn at its real size, and they snap 8 cm apart, the spacing we use in the studio.
Hang a print from the tray below.
The tray · tap Hang or drag a print onto the wallShown at one scale
The catalogue hangs in four rooms, the way we hang the studio. Walk into one to see only its prints.
Every print is shown at the same scale, so a 90 cm piece looks twice the width of a 45 cm one. Hover a print to see it in a room.
No. 01Gesture
Tara Menon · 2025
50 × 70 cm·Oak
Hahnemühle Photo Rag 308 gsm
Edition of 50
One long loop of green and cobalt pulled across the sheet in a single pass, the way rain arrives over the backwaters.
No. 02Gesture
Tara Menon · 2024
60 × 80 cm·Black
Hahnemühle Photo Rag 308 gsm
Edition of 50
A broad pink stroke against a scratchy blue, with a line of black where they meet. Big enough to anchor a sofa wall.
No. 03Gesture
Ishaan Rao · 2025
45 × 60 cm·Unframed
Hahnemühle Photo Rag 308 gsm
Edition of 100
Yellow, rust and a thin violet line, painted quickly and left alone. Sent rolled, ready for your own framer.
No. 04Colour Field
Anjali Varghese · 2023
90 × 60 cm·Oak
Hahnemühle Photo Rag 308 gsm
Edition of 25
Cut shapes of turquoise, red and saffron, like kites tangled over the Fort Kochi beach in August. Our largest print.
No. 05Colour Field
Anjali Varghese · 2024
65 × 50 cm·Black
Hahnemühle Photo Rag 308 gsm
Edition of 50
Red, cobalt and a square of ochre stacked like the painted walls of a Mattancherry lane.
No. 06Colour Field
Ishaan Rao · 2025
40 × 50 cm·Unframed
Hahnemühle Photo Rag 308 gsm
Edition of 100
Turquoise water, orange light and one black square of shade. A small, loud print for a narrow wall.
No. 07Line
Meher Iqbal · 2025
55 × 50 cm·Black
Hahnemühle Photo Rag 308 gsm
Edition of 50
Two green rings and a blue zigzag between them, with all the white of the paper left to breathe.
No. 08Line
Meher Iqbal · 2024
50 × 40 cm·Oak
Hahnemühle Photo Rag 308 gsm
Edition of 50
A blue shape crossing an orange one, drawn the morning the ferry to Vypin ran late.
No. 09Line
Ishaan Rao · 2024
30 × 40 cm·Black
Hahnemühle Photo Rag 308 gsm
Edition of 100
A grey line, a soft red and a lot of white. Small enough for a shelf, a desk or the space beside a door.
No. 10Surface
Rohan Pillai · 2023
60 × 90 cm·Oak
Hahnemühle Photo Rag 308 gsm
Edition of 25
White and warm grey pooled and folded like salt drying in the pans. It changes with the light all day.
No. 11Surface
Rohan Pillai · 2025
80 × 45 cm·Unframed
Hahnemühle Photo Rag 308 gsm
Edition of 50
Crumpled paper painted over in violet, teal and silver, then flattened and photographed. A long, low print.
No. 12Surface
Rohan Pillai · 2024
50 × 70 cm·Black
Hahnemühle Photo Rag 308 gsm
Edition of 50
Pale blue and pink waves out of a black ground, deep enough to look into. Best in a room with a lamp.
Nothing hangs in this room right now.
Every edition goes through the same four steps, by the same four pairs of hands.
The artist and the printer pull test strips until the colour on paper matches the original. Sometimes it takes a week.
Archival pigment inks on Hahnemühle cotton rag, printed one sheet at a time and left to dry flat overnight.
Each sheet is checked under daylight, then signed and numbered in pencil by the artist.
Framed prints are mounted on acid-free board in solid oak or black-stained ash, behind clear glass.
The print room is open on weekends, or any day by appointment. Write to us for a size we have not listed, a commission, or advice on your wall.
We have received your order and emailed you a copy.