VaranasiNo. 01
Aubergine Katan Banarasi
Katan silk · zari border · 6.3 m with blouse piece
A deep aubergine silk with a broad gold border and a pallu of small butas. Woven on a pit loom in Madanpura, the zari laid in pick by pick.
Tana & Pallu
Every sari comes from one of four weaving regions, each with its own loom, yarn and way of making a border. Choose one to see what is on its looms.
Twelve sarees, three from each region. Hover a photograph for a close-up of the weave, or tap the round swatch to see it on the loom.
12Every region
VaranasiNo. 01
Katan silk · zari border · 6.3 m with blouse piece
A deep aubergine silk with a broad gold border and a pallu of small butas. Woven on a pit loom in Madanpura, the zari laid in pick by pick.
VaranasiNo. 02
Katan silk · kadhua butis · 6.3 m
Navy silk where every buti is woven in on its own, by hand, so the back is as clean as the front. Slow work: about a month on the loom.
VaranasiNo. 03
Kora organza · jangla jaal · 6.2 m
A crisp plum organza with a creeper jaal running the whole length. Light enough for a summer wedding, stiff enough to hold its pleats.
KanchipuramNo. 04
Mulberry silk · korvai border · 6.2 m
Peacock green with a contrast border woven separately and interlocked at every pick — the korvai join you can find with a fingertip.
KanchipuramNo. 05
Mulberry silk · silver zari · 6.2 m
A soft peach body, heavy in the hand, with a temple border in silver zari. The kind of sari that is handed down.
KanchipuramNo. 06
Tissue silk · gold zari · 6.2 m
Gold zari woven through the weft so the whole sari catches light like brass. Cream and saffron at the border, a full brocade pallu.
BengalNo. 07
Fine cotton · jamdani motifs · 5.5 m
Mint cotton so fine it is almost a mist, the jamdani flowers inlaid by hand with a bamboo needle as the cloth grows.
BengalNo. 08
Tant cotton · 5.5 m
An everyday Shantipur tant in cream and lemon, starched crisp, with a yellow border named for the river. Gets softer every wash.
BengalNo. 09
Cotton · striped border · 5.5 m
Sindoor red and saffron, a tight weave and a striped border. A cotton for festivals that you can still wear on the train home.
PochampallyNo. 10
Double ikat cotton · 6 m
The yarn is tied and dyed before it ever meets the loom, so the pattern blurs softly at its edges. Teal body, a tan and black pallu.
PochampallyNo. 11
Silk ikat · 6.2 m
Rani pink against black, with an ikat border that steps like a staircase. Every diamond lines up only because the warp and weft were dyed together.
PochampallyNo. 12
Cotton ikat · 6 m
Bottle green with scattered white motifs and a border of interlocking triangles. Light, cool and made for long days.
Nothing from this region on the loom right now.
A handloom sari is made by hand from the yarn up. This is how one of ours reaches you.
Silk and cotton yarn is dyed in small batches. For ikat it is tied first, so the pattern lives in the thread itself.
Thousands of ends are stretched and threaded through the heddles one by one. Setting up the loom can take a week.
The shuttle crosses, the reed beats it home, and the pattern grows a line at a time — butis, border and finally the pallu.
Cut from the loom, checked thread by thread, the loose ends knotted and the sari folded in mul cotton for the journey.
Our house in Kamachha has every sari on this page and a few more. Come by appointment and we will unfold them for you, or write to us about a wedding, a trousseau or a colour you cannot find.
We have received your order and emailed you a copy.